środa, 11 stycznia 2012

Spring Awakening

Does anybody know the performance called "Spring Awakening"? "The University of Michigan Musical Theatre majors from the Dance Workshop Fall 2006 class present "Mama Who Bore Me" from SPRING AWAKENING choreographed by Jake Wilson." I love the emotions in this choreography, it's a little bit angry, but sexy, fabulous, mysterious, sometimes a little bit shy, but still so expressive. The girl with the long sleeved shirt on is amazing, I couldn't take my eyes off her. The rest of dancers is also doing a great job. Do you agree with me? How do you interpret this choreography?  




poniedziałek, 19 grudnia 2011

The Courtship Dance of Golden-collared Manakins

I wish I could see that! It seems to be so cute! That's quite funny situation that we, as human, act the same way, don't you think? Our dance is also, in many cases of course, how we 'catch our love-victim' - just have a look at discos, weddings, performances, videos - there are so many people who try to be somebody like dance queen or king. And why? It's simply the best way to look attractive and be perceived as really positive person ;-)



Again, but Faster! The Spectacular Courtship Dance of a Tiny Bird


ScienceDaily (June 3, 2011) — A small male bird called a golden-collared manakin performs a difficult, elaborate, physically demanding courtship dance. In new research, life scientists report that female golden-collared manakins select mates based on subtle differences in motor performance during these dances.
"The male jumps like he's been shot out of a cannon," said study co-author Barney Schlinger, professor and departmental chair of integrative biology and physiology and a professor of ecology and evolutionary biology at UCLA. "It's exquisite. He sails like an acrobat and lands perfectly on a perch, like a gymnast landing a flawless dismount. Not only is there power to his muscle contractions but incredible speed as well."
"The females prefer the males that perform the elements of the dance faster and demonstrate better motor coordination," said lead author Julia Barske, a UCLA graduate student and doctoral candidate in ecology and evolutionary biology. "Females prefer more active males that do more courtship activity."
"Julia's data show that the females select the males that completed elements of the courtship dance in 50 milliseconds over the males that took 80 milliseconds," Schlinger said.
The findings will be published in the print edition of Proceedings of the Royal Society B, a leading British journal for biological sciences research, and are currently available in the journal's advance online edition.
The courtship dance reveals the male's neuromuscular capability, Schlinger said. Using miniature telemetry devices, Barske measured the birds' heart rates and found that while the heart rate is normally 600 beats per minute or lower, during the courtship display it can go as high as 1,300 beats per minute.
"This heart rate is extremely high; in the avian world, only hummingbirds have heart rates of 1,300 beats per minute," Barske said.
"Our data suggest the courtship display is a proxy for survival capability," Schlinger said. "To survive in the wild, it's an advantage to have extra neuromuscular capability. Being faster can enable a golden-collared manakin to escape a predator."
Golden-collared manakins (Manacus vitellinus) live in Panama, Colombia and Costa Rica. For the research, Barske spent three months in a rainforest near Gamboa, a town along the Panama Canal, not far from Panama City. She observed the birds for several hours daily, filmed 18 male birds with high-speed video and ultra-high-speed cameras that produced 125 images per second, and recorded their courtship success.
Barske can tell the birds apart from their leg rings and the location of their display arenas. Golden-collared manakins live up to 14 years in the wild.
During the courtship dance, several males gather together in a small area, and each jumps from small tree to small tree while making a fast, powerful, loud snapping sound with his wings. He also does this wing-snap while perched. When the male lands on a perch, he rapidly turns to expose his feathers to the female.
It is "intense, physically elaborate, complex, accurate, fast behavior," Schlinger said.
The male performs these feats "not necessarily because he wants to, but because that's what the female rewards," Schlinger said. "If the female rewards a slightly faster behavior, then the males will get faster. We propose that elaborate, acrobatic courtship dances evolve because they reflect the motor skills and cardiovascular function of males."
During the six-month breeding season, a female will observe a group of four to six males -- "the patch of forest erupts in sound," Schlinger said -- and choose one to mate with. The male offers no help in raising the offspring.
Co-authors of the study are Leonida Fusani, a faculty member in the department of biology and evolution at Italy's University of Ferrara and a former postdoctoral scholar under Schlinger, and Martin Wikelski, a director of Germany's Max Planck Institute for Ornithology and a faculty member at Germany's Konstanz University.
The research was funded by the National Science Foundation, as well as by the National Geographic Society.
In earlier research, Fusani conducted high-speed filming of male golden-collared manakins and performed a computer analysis that showed that each male has a unique dance, somewhat similar to how each gymnast performs differently from the others.
Schlinger has studied golden-collared manakins for 16 years because he "was so impressed with their fantastic behavior.
"Here is a very small, 17-gram bird that is living 14 years in the rain forest, telling everybody where they are," Schlinger said. "They are there year after year."
Female golden-collared manakins have a larger visual processing area in the brain than males, Schlinger's previous research has shown, suggesting that females have a fast visual processing speed that enables them to detect slight differences in the male's courtship dance.

niedziela, 11 grudnia 2011

SUPRISE

I know it's not exactly compatible with psychology, but it's December - Santa Claus, Christmas, snow, you know... I needed to share this choreography with you. Enjoy!



wtorek, 29 listopada 2011

Psychological Disordes Expressed Through Dance

I think that the words are needless. Dance can embody everything. Do have your own vision how to show some disordes, problems or emotions through dance? 


środa, 23 listopada 2011

FIND YOUR OWN SOURCE OF BEING SEXY

Nowadays sexuality is kind of determinant of our 

attractiveness and helps us with the interaction. Dancing 

people feel more self-confident, their cheeks are brighter 

and the smile appears on their faces. Have you ever 

experienced the feeling of being sexy during your own 

dance? I must confess that in my case dance is a great 

source of feelings and emotions I mentioned earlier and 

makes me feel special. Now I'm taking into consideration 

the possibility of pole dancing that I found particularly 

amazing. What do you think about my idea? Hope you'll 

find your 'sexy light'! 



You Can Turn Your Own Sexy Light On: Orgasms Included!

It's Not About Him, Ladies! It's About You!
So many women have asked me how to get their sexy on - in their own bodies. They want to know how they can turn themselves on! Do they need a partner? Can they relight their own pilot light? Raise their own sexual desire up a notch or two? They want to feel better in their own bodies. And they want to do it without sitting on a therapist couch. I get it. And I have some ideas! Of course I do! And as usual - my ideas come from my own real life experiences.

What do you know about Burlesque? Frankly, I knew just about nothing about it except that it was some kind of old fashioned stripping. I had no idea that it could be a tool of embodiment, self pleasure, and a libido lifter! Oh yeah - taking a Burlesque class can help you get your sexy on! I stumbled over it quite by accident on my Shameless book tour. I had a quiet afternoon in Seattle - and there was a inexpensive class being offered.

I don't know if it was the music, or the opportunity to take up sexual space (burlesque is all about big sexy movements) and turning on my siren energy - but I was getting hotter and hotter with every shimmy and shake. I loved "Knocking over the Tea Cups" with every swing of my hips. After the class I felt so damn sexy - and good about my body. It was amazing.


I started to go to a few Burlesque Shows while I was on the road reading and running workshops from city to city - and I got to see the fabulous Coca Lectric and Indigo Blue. I loved the costumes - and all of the body types being celebrated. Wow - I thought! How come I didn't know about this before? I couldn't believe how sexy I felt both participating in a beginner's class and watching the women on stage. It was an eye opener for me! Best of all - it was open to all. Even you!

Before I knew it - I was at S Factor in Chicago ( S Factor has studios in LA and NYC too). And another light bulb went on in my head! I toured the studios and fell in love with Sheila Kelley's concept of pole dancing to help women find their inner erotic creature! Oh my! They were talking my language! I loved that there were no mirrors in the studio - and the lights were dimmed. This was about feeling sexy from the inside out! This was about embodiment! Oh yeah - S Factor had lots of sexy clothes for sale (at reasonable prices) - but they were there to turn YOURSELF on!
How many times have I talked about dressy sexy for our own sexual engines! The staff was incredibly warm and supportive and came in all shapes and sizes! Don't let the gorgeous S Factor founder intimidate you with her amazing body - she got there from the inside out - and is making all comers feel welcome! I am ready to start pole dancing in NYC!

I know several women who are now dancing tango to turn themselves on - and a few experimenting with yoga! In fact at my upcoming Pleasure Now! workshop in Woodstock, NY - I am introducing "Shameless Yoga" with the fabulous certified yoga teacher - Lisa Rosenthal.

The fact is that we can turn ourselves on and finding that sexy light inside of ourselves is often the best way to find true orgasmic bliss, self acceptance - and charging up our sexual core as an engine to power the rest of our lives. It's not about him ladies - it's about you!

poniedziałek, 14 listopada 2011

DANCE INSPIRED BY PSYCHOLOGICAL THEMES

I was looking for some interesting dance choreographies and that video caught my eyes. As I mentioned earlier there is the dance psychology lab, where researchers try to find dance as therapy, source of pleasure, solution of many inner problems, entertainment and explanation of “Dance Psychology” idea. Dr Peter Lovatt, the Director of the Dance Psychology Lab at the University of Hertfordshire, organize and create (with many great choreographers and dancers) performances of dance inspired by psychological themes. I was lucky to find some part of project called “Inspired Psychology Danced!” that premiered on the 26th Mai 2011. I love the idea & moves of the dancers! What’s your opinion?



poniedziałek, 31 października 2011

Science News - what's interesting?

Don't you think it's a little bit controversial? "I have never realized that the dancers have no or just not enough connection between body and mind" - you said. It's seems so ridiculous for many people, however some scientists proved that's fact. What do you think? Do you agree? Maybe some of you have already tried meditation as the best solution for harmonizing body & mind and want to share your experience. Anyway, hope you like it :)

 

Meditation Beats Dance for Harmonizing Body and Mind


ScienceDaily (Feb. 24, 2011)The body is a dancer's instrument, but is it attuned to the mind? A new study from the University of California, Berkeley, suggests that professional ballet and modern dancers are not as emotionally in sync with their bodies as are people who regularly practice meditation.


UC Berkeley researchers tracked how closely the emotions of seasoned meditators and professional dancers followed bodily changes such as breathing and heart rates.
They found that dancers who devote enormous time and effort to developing awareness of and precise control over their muscles -- a theme coincidentally raised in the new ballet movie "Black Swan" -- do not have a stronger mind-body connection than do most other people.
By contrast, veteran practitioners of Vipassana or mindfulness meditation -- a technique focused on observing breathing, heartbeat, thoughts and feelings without judgment -- showed the closest mind-body bond, according to the study recently published in the journal Emotion.
"We all talk about our emotions as if they are intimately connected to our bodies -- such as the 'heartache of sadness' and 'bursting a blood vessel' in anger," said Robert Levenson, a UC Berkeley psychology professor and senior author of the study. "We sought to precisely measure how close that connection was, and found it was stronger for meditators."
The results offer new clues in the mystery of the mind-body connection. Previous studies have linked the dissociation of mind and body to various medical and psychiatric diseases.
"Ever have the experience of getting home from work and realizing you have a blistering headache?" said Jocelyn Sze, a doctoral student in clinical science at UC Berkeley and the lead author of the study. "The headache probably built up throughout the day, but you might have been intentionally ignoring it and convincing yourself that you felt fine so that you could get through the demands of the day."
Increasingly, mindfulness meditation is being used to treat physical and psychological problems, researchers point out. "We believe that some of these health benefits derive from meditation's capacity to increase the association between mind and body in emotion," Levenson said.
For the experiment, the researchers recruited volunteers from meditation and dance centers around the San Francisco Bay Area and via Craigslist. The study sample consisted of 21 dancers with at least two years of training in modern dance or ballet and 21 seasoned meditators with at least two years of Vipassana practice. A third "control group" was made up of 21 moderately active adults with no training in dance, meditation, Pilates or professional sports.
Participants, who ranged in age from 18 to 40, were wired with electrodes to measure their bodily responses while they watched emotionally charged scenes from movies and used a rating dial to indicate how they were feeling.
Although all participants reported similar emotional reactions to the film clips, meditators showed stronger correlations between the emotions they reported feeling and the speed of their heartbeats. Surprisingly, the differences between dancers and the control group were minimal.
Researchers theorize that dancers learn to shift focus between time, music, space, and muscles and achieve heightened awareness of their muscle tone, body alignment and posture.
"These are all very helpful for becoming a better dancer, but they do not tighten the links between mind and body in emotion," Levenson said.
By contrast, meditators practice attending to "visceral" body sensations, which makes them more attuned to internal organs such as the heart. "These types of visceral sensations are a primary focus of Vipassana meditation, which is typically done sitting still and paying attention to internal sensations," Sze said.
The study was published in the December 2010 issue of Emotion. In addition to Sze and Levenson, coauthors are UC Berkeley psychologists Joyce W. Yuan and Anett Gyurak, who is currently a postdoctoral fellow at Stanford University
source: http://www.sciencedaily.com/releases/2011/02/110224091621.htm